Copenhagen-based trio Smag På Dig Selv have built a sound that feels as explosive as it is unclassifiable, blending punk energy, saxophone-driven rave chaos and influences drawn from across Christiania’s rich musical underground. Ahead of their A38 show, they spoke to us about the cultural environment that shaped them, the darker and more mature mood of their new album This Is Why We Lost, and how their concerts become intense, collective experiences shared between band and audience.
In Valentino Vivace’s music, the shimmer of Italo disco, Mediterranean emotion and Swiss precision come together in a world that feels both playful and deeply cinematic. What began in a university environment has since grown into a distinct artistic universe: nostalgic, stylish and irresistibly danceable, yet increasingly open to introspection too. Ahead of his first Budapest show at A38 on April 24, we spoke with him about the beginnings of the project, the emotional pull of the Italian language, the freedom of working independently, and the more melancholic new chapter now taking shape.
In this interview, the Italian duo reflects on the ideas behind their latest album Recreate Patterns, Release Energy, the contrasting influence of Bergamo and Berlin on their music, and why everyday moments — even the hum of a McDonald’s fridge — can spark unexpected inspiration. Planet Opal will bring this immersive, club-meets-concert experience to the A38 Ship on March 21.
Before her voice became known worldwide through Nouvelle Vague, Mélanie Pain lived a completely different life in Paris, studying political science and working in web agencies. In this conversation, she reflects on the unlikely path that led her to music, the intimate songwriting behind her new album How and Why, and the quiet emotional spaces where her songs are born. The French singer-songwriter will return to A38 on March 28, a venue where Hungarian audiences have been following her journey for years.
Operaénekesként a világ színpadairól érkezett a tehetséggondozás intézményi rendszerébe – Miklósa Erika ma már a felelősség és a hosszú távú pályaépítés oldaláról gondolkodik a fiatal előadók jövőjéről
A Pajor Tamás 3.0, azaz a „Weisz” produkció premierje egyszerre performatív comeback, identitásnyilatkozat és szózenei támadás: posztpunk, rap, slam és duma ott, ahol mindig is a legnagyobb tétje volt a megszólalásnak.
