Bringing the slurry, slanted sound of Mystikal into the age of cloud-rap, Atlanta rapper OG Maco burst on the scene in 2014 with the single U Guessed It – which teleported him to XXL Magazine’s 2015 Freshman Class list. Since then, Atlanta’s latest icon has collaborated with Skrillex, 2 Chainz, Migos and Diplo, and released more than a dozen projects of varying lengths, not to mention that he signed to Quality Control Music. Before we get lit in January, we rolled one and dived into his career.
Snavs (meaning grit or dirt in Danish) is a half-hysterical hybrid of bass and instrumental hip hop with plenty of cheap, canned beats, remixes of remixes, skizo-rhythms and distorted synths. The promising Dutch DJ, producer and beat welder took his time and answered our questions before aimed at the A38 Ship with his bass cannon.
The Subways have been a force of nature in rock for a decade now. With a youthful exuberance in all that they do and universal tales of love, loss and breaking free, their new self-titled record may well just be the full realisation of all that they’re capable of – and on December 10, they’ll showcase it to their Hungarian fans. We’ve sat down for a chat with bassist-vocalist Charlotte Cooper to talk about their previous concerts in Budapest, self-producing their latest record and a lot more.
Editors went from Interpol-esque post-punk act to a new wave/synth-pop band, heavily influenced by the 80s. Their newest album, In Dream, released this fall is full of haunting slow-burn epics, that build with Kubrick-ian intensity. But before their live performance grabs you by the throat on December 8 at Barba Negra Music Club, we asked their drummer, Edward Lay about changes in the lineup, self-producing their record and Hungarian festivals.
A38 Ship is a proud member of Liveurope, an initiative supporting concert venues in their efforts to promote up-and-coming European artists. But how it started, what are the hardships about it and what the future holds for it? We’ve asked the initiative’scoordinator, Fabien Miclet about it.
One of the greatest and most bombasticly staged acts of rockstar-electronica, the Glitch Mob returnes after four years to the A38 Ship on June 24! The Los Angeles based producer-trio will give its only club gig at ours on their usual summer European tour. Before blowing the ship’s roof off, we’ve asked them about their relationship with their fans, about their D.I.Y.-philosophy and about a lot more.
One of the most impersonal British performers, Little Boots melting together electropop elegance with loosy privacy is coming to Hungary for the third time. First she performed as a DJ, then had a huge festival performance at Sziget Festival and on 23 April she will present her forthcoming third album at A38 Ship within the frames of a perfect club concert as part of the Budapest Spring Festival.
Born in England, living in Berlin, Gemma Ray is one of the most suggestive singer-songwriters of the European scene. Mixing elements of blues, art-pop, girl-pop, folk, gloomy film-soundtracks, “pop noir”, she’s just like a never seen actress from a Lynch- or Tarantino-movie. A38 Ship welcomes Gemma Ray on March 11 in the intimate exhibition space of the Ship. (Read here the Hungarian version)
Nika Roza Danilova aka Zola Jesus performed on the A38 Ship three years ago and on March 18 she is back to present her newest album, Taiga. With Taiga, she re-discovered her roots (a cappella singing, for example) and took a step towards a poppier, yet still mesmerising sound. As she said to us, even if you were there at her gig three years ago, you can’t predict what her new live show will look and sound like. (Read here the Hungarian version)
The duo of Sharin Foo and Sune Rose Wagner aka The Raveonettes already played at the A38 Ship two years ago – and all the people who were there swear that show was one hell of a rock ‘n’ roll ride. Since then, the band has released their newest album, Pe’ahi last year – and their newest tour reaches the A38 Ship again, on January 24. Cose two-part vocal harmonies inspired by The Everly Brothers coupled with hard-edged electric guitar overlaid with liberal doses of noise, very similar to The Jesus and Mary Chain, 50s rock and roll, a bit of The Cure, a bit of Velvet Underground. Before the concert, we’ve sat down for a chat with one half of the duo, Sune Rose Wagner (right side of the picture).